Course Description
Examines musical traditions from ca. 1880 to the present beyond the survey level. Topics may include music and the State, gender/sexuality, ethnicity and identity, cultural policy/politics, religion, and/or multimedia. Prerequisite: MUS 333 or permission of instructor
Syllabus
Student Learning Outcomes, Goals, Objectives:
Students successfully completing this course will be able to:
recognize and identify works of the period under study presented either aurally or in score;
name and explain the significance of composers, genres, forms, venues, performers, musical practices, and texts of the period;
discuss, orally and in writing, the characteristics of musical genres and individual works of the period, using appropriate musical terminology;
discuss, orally and in writing, the intellectual and cultural contexts for genres and works;
locate, evaluate, and cite information relevant to a historical question from the period; and
apply the information in original essays addressing historical and/or critical questions.
Activity/Performance Measure | Percentage/Points |
|---|---|
Examination | 40% |
Written, Oral, & In-Class Assignments | 50% |
Participation & Attendance | 10% |
Grading Scale
Percentage | Letter Grade |
|---|---|
93–100 | A |
90–92 | A- |
87–89 | B+ |
83–86 | B |
80–82 | B- |
77–79 | C+ |
73–76 | C |
70–72 | C- |
66–69 | D+ |
63–65 | D |
60–62 | D- |
59 or below | F |
Attendance/Participation:
Class participation and attendance percentage is divided in half, with one half consisting of weekly attendance and the other half of evaluation of contributions to the class outside of the required presentations/assignments.
Course Materials Purchased by the Students:
There are no required texts to be purchased.
Scholarly Perspectives
This course engages diverse scholarly perspectives to develop critical thinking, analysis, and debate and inclusion of a reading does not imply endorsement.