Topics in Music Theory I: Classical Form

Course Description

Rotating theoretical and/or analytical topics in the Western art music tradition such as Sonata Theory, Art Song & Opera, Large-Scale Instrumental Forms, Historical Composition, and Advanced Aural Skills. Prerequisite: MUP 204 or MUS 215 or MUS 216, plus MUS 207; Note: May be repeated once for credit when topic varies.

Syllabus

Student Learning Outcomes, Goals, Objectives:

Students successfully completing this course will be able to:

  • Demonstrate fluency or significant improvement with foundational concepts, including key signatures and chord qualities/contexts (i.e., Roman numerals).
  • Analyze music for chordal content, harmonic progression toward cadences, chromaticism, and modulation by various means.
  • Identify musical forms of the Classical era through visual and aural stimuli.
  • Compose musical forms of the Classical era in keyboard and/or SATB voicing with proper voice-leading and chordal resolution.
  • Use awareness of Classical forms to aid in the performance and dictation of melodies.
  • Identify formal concepts from the Classical era in other musical eras and contexts.

Course Grading Information:

Activity/Performance Measure Percentage/Points
Attendance, Preparedness & Participation 10%
Foundational Fluency 15%
Aural Skills 15%
Assignments 25%
Tests 20%
Final Project 15%

Grading Scale

Percentage Letter Grade
93 – 100%A
90 – 92%A-
87 – 89%B+
83 – 86%B
80 – 82%B-
77 – 79%C+
73 – 76%C
70 – 72%C-
67 – 69%D+
63 – 67%D
60 – 62%D-
<60%F

Attendance/Participation:

Attend class regularly. Each student receives three excused absences to accommodate all hindrance to attendance, including illness and travel. Further absences may be excused at the instructor’s discretion with documentation of events beyond the student’s control.

Arriving after instruction has begun incurs a 20% late penalty.

Course Materials Purchased by the Students:

  • William Caplin, Analyzing Classical Form (ISBN: 9780199987306)
  • Mark Gotham, et al., Open Music Theory @ viva.pressbooks.pub
  • Artusi Drills @ www.artusimusic.com
  • Music notation software (e.g., Finale, Sibelius, MuseScore, etc.)
  • Music staff paper

Scholarly Perspectives

This course engages diverse scholarly perspectives to develop critical thinking, analysis, and debate and inclusion of a reading does not imply endorsement.