Course Description
Introduction to the basic tools of musicological inquiry, including music vocabulary, reading in the discipline, basic library research, and a variety of styles of writing; cultural awareness; attentive listening to music from around the world.
Syllabus
Student Learning Outcomes, Goals, Objectives:
Students successfully completing this course will be able to:
Analyze written texts to understand how they relate to particular audiences, purposes, and contexts as a way to inform one’s own writing and/or revision.
Create and revise written texts for particular audiences, purposes, and contexts.
Through oral or written reflection, demonstrate awareness of one’s writing choices as well as how one’s own writing contributes to ongoing conversations.
Course Grading Information:
Activity/Performance Measure | Percentage/Points |
|---|---|
Attendance | 10% |
Full-group workshop participation | 15% |
In-class writing assignments | 15% |
Ethnomusicological paper | 25% |
Concert review | 10% |
Musicological paper | 25% |
Grading Scale
Percentage | Letter Grade |
|---|---|
93–100 | A |
90–92 | A- |
87–89 | B+ |
83–86 | B |
80–82 | B- |
77–79 | C+ |
73–76 | C |
70–72 | C- |
66–69 | D+ |
63–65 | D |
60–62 | D- |
59 or below | F |
Attendance/Participation:
Attendance and participation is a core expectation of this course. Therefore, students who earn an attendance grade of 0% cannot earn a passing grade.
Course Materials Purchased by the Students:
There are no required texts for purchase. Students are expected to have physical writing materials and a notebook in class, as well as access to a computer with a browser and word processor.
As per UNC policy (400.1.6[R]), this course “engages diverse scholarly perspectives to develop critical
thinking, analysis, and debate and inclusion of a reading does not imply endorsement.”
Scholarly Perspectives
This course engages diverse scholarly perspectives to develop critical thinking, analysis, and debate and inclusion of a reading does not imply endorsement.