Course Description
Performance studies instruction on principal instrument, voice, composition, or conducting. Prerequisite: By audition; Notes: Curricular Practical Training Required for F1 Visa Holders.
Syllabus
Student Learning Outcomes, Goals, Objectives:
Students successfully completing this course will be able to:
- Compose works demonstrating originality of musical thought and a personalized musical viewpoint.
- Create mature works with substantial depth in terms of musical thought and compositional technique that reflects an understanding of music literature composed since 1945.
- Evaluate their work in the wake of guest artist reading/recording sessions, student composers concert presentations, and guest artist masterclasses.
- Compose music using instrumental forces, electronics, etc. based on the interest of the student.
- Write a paper incorporating analysis (aural and/or score-based) of music of the past 100 years. This is usually done in the second semester and may be accomplished in the context of coursework in music theory.
- Demonstrate knowledge and understanding of Music Composition pedagogy
- Demonstrate professional standards in terms of writing, notation, and presentation
Course Grading Information:
| Activity/Performance Measure | Percentage/Points |
|---|---|
| Lessons | 60% |
| Jury Examination | 25% |
| Attendance and Participation | 15% |
Attendance and Participation are graded components of this course.
Grading Scale
| Percentage | Letter Grade |
|---|---|
| 94-100 | A |
| 90-93 | A- |
| 87-89 | B+ |
| 83-86 | B |
| 80-82 | B- |
| 77-79 | C+ |
| 70-76 | C |
| Below 70 | F |
Attendance/Participation:
Attendance and Participation are graded components of this course.
Course Materials Purchased by the Students:
Students are required to purchase digital storage (e.g. external drive or webspace) for backing up work, and any equipment or accessories required for composition or performances by the instructor.
Scholarly Perspectives
This course engages diverse scholarly perspectives to develop critical thinking, analysis, and debate and inclusion of a reading does not imply endorsement.