Course Description
A survey of European art media, practice, theory, and issues surrounding patronage during the century. Prerequisite: ART 100 or ARH 111 or permission of instructor
Syllabus
Student Learning Outcomes, Goals, Objectives:
Students successfully completing this course will be able to:
Analyze 18th-century art across media in relationship to the historical, social, and political contexts of the period, and the diverse actors that shape the visual and material world.
Analyze how cultures and their artworks do not exist in isolation but constantly transform through situations of cross-cultural contact and exchange.
Apply close looking and visual/material analysis skills to analyze artworks as primary historical sources that can embody, shape, and contest social realities.
Apply close reading skills to primary sources and secondary literature to examine how historical narratives are constructed and synthesize these sources through writing and basic research.
Course Grading Information:
Activity/Performance Measure | Percentage/Points |
|---|---|
Checkpoint Quizzes | 20% |
Weekly Application Activities | 20% |
Museum Looking Assignment | 15% |
Midterm Exam | 20% |
Final Exam | 25% |
Grading Scale:
Percentage | Letter Grade |
|---|---|
93-100 | A |
90-92 | A- |
87-89 | B+ |
83-86 | B |
80-82 | B- |
77-79 | C+ |
73-76 | C |
70-72 | C- |
67-69 | D+ |
63-66 | D |
60-62 | D- |
59 | F |
Attendance/Participation:
As an asynchronous online course, attendance is not applicable as a grading measure, but weekly application activities (see grade breakdown) such as discussion boards and reading responses will count as a course participation metric.
Course Materials Purchased by the Students:
Stacey Sloboda and Michael Yonan, ed. Eighteenth-Century Art Worlds: Global and Local Geographies of Art. New York: Bloomsbury Visual Arts, 2019. (ISBN 1501384600 / 978-1501384608)
Scholarly Perspectives
This course engages diverse scholarly perspectives to develop critical thinking, analysis, and debate and inclusion of a reading does not imply endorsement.